Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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unknow artist
To sjoss each fire and ice varre enemies an nagonsin stormar,vilket Urville smartsamt was getting go through the 9 Feb. 1838

ID: 49752

unknow artist To sjoss each fire and ice varre enemies an nagonsin stormar,vilket Urville smartsamt was getting go through the 9 Feb. 1838
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unknow artist To sjoss each fire and ice varre enemies an nagonsin stormar,vilket Urville smartsamt was getting go through the 9 Feb. 1838


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unknow artist

  Related Paintings of unknow artist :. | The Dismayed Artist | The Prophet Muhammad bows before the Lord-s radiance | Classical hunting fox, Equestrian and Beautiful Horses, 089. | Sexy body, female nudes, classical nudes 23 | Donkey Attacked by Staffords |
Related Artists:
Francois Lemoine
1688-1737
BOCCACCINO, Boccaccio
Italian painter, Cremonese school (b. before 1466, Ferrara, d. 1524/25, Cremona) He is first recorded in 1493 in Genoa, where he contracted to paint the high altarpiece (untraced) for S Maria della Consolazione. In 1497 he was extracted from prison in Milan by the agent of Ercole I d'Este, Duke of Ferrara, and worked for the Duke in Ferrara until 1500. Perhaps as a consequence of having killed his common-law wife he then left, presumably for Venice, where he is recorded as residing in 1505. A fresco in Cremona Cathedral is dated 1506.
camille corot
Paris 1796-Paris 1875 Corot's students included Alfred Sisley, Camille Pissarro, Berthe Morisot, Stanislas Lepine, Adolphe Appian and Dagnan-Bouveret. French painter, draughtsman and printmaker. After a classical education at the Coll?ge de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family's continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon's death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers






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